Saturday, December 17, 2011

Page 81

Fishing Boat at Midnight - number 330












Snake - number 331

Monday, December 12, 2011

Quotes 3 - Andre Gide

Art is a collaboration between God and the artist, and the less the artist does the better. ~ AndrĂ© Gide   (French writer)

Thursday, December 8, 2011

Quotes 2 - John Anthony Ciardi

Modern art is what happens when painters stop looking at girls and persuade themselves that they have a better idea. ~ John Anthony Ciardi  (American Poet)

Quotes 1 - Pablo Picasso

Pablo Picasso said: "As far as I am concerned, a painting speaks for itself.  What is the use of giving explanations, when all is said and done?  A painter has only one language."  I think I feel the same way about music. 

Tuesday, November 15, 2011

Quotes

Art, like beauty, is hard to define but we know it when we see it. It is like the makeup of life - purely cosmetic but fulfilling a seemingly necessary purpose. I am going to round up some quotes about art from famous people and post them here. It will help us with our definition.

Sunday, April 10, 2011

Page 80

Hood Ornament - number 328 - 2008

Cloudy Afternoon - number 329 - 2008

Saturday, April 9, 2011

Theory of Art - conclusion

A small clique of art critics and art consultants - that’s who determines the value of art.  Those who have access to those who have deep pockets - that’s who.  Those who have deep pockets always want to buy and those who have access to them tell them what to buy.  As in Music, the viewers determine (and will always determine) what great art is because they instinctively know – trust me, they know - but the consultants determine the value.  No artwork has intrinsic value.  Whatever its value is, that value is subjective.  Be that as it may, the value is always tied to the hand of the painter.  You can replicate a Picasso perfectly, but the copy, compared to the original, will be nearly worthless.  If your name is Casimiro Jinjis Pitoperos, or Benny Garces, or Willie Crackers, or Tobia Selemoebe Lacoleetah, or Alice Blanco, or Miklos Molloy, or Ann G. Maimah, or Irma Driggers or you are something other than famous or scandalous, you will not sell your art for millions.  Sorry.  The value is also tied to its historical significance or its uniqueness.  Supply and demand are just commercial factors which do not really tell you what an art work is worth.  It may be worth millions to a collector who wants it and has the ready cash, but its true worth compared to other art may be negligible.  Beauty or brilliance in execution are seldom factors upon which to assign a value – and, believe me, values are assigned and manipulated by the small cliques.  Ugly art can sell for millions provided someone can be persuaded to pay millions for it - simplistic, minimalist, mediocre, childish art, too.  A plain white canvas can sell for millions if the artist is well-connected, but only if she is well-connected.  If you have not been credentialed in this manner, you will not sell for millions – sorry.  There is nothing unique or imaginative about a white canvas, but, if you hang around with the New York elites with deep pockets, your agent can persuade one of them to buy it for ten million.  It’s considered chic.  It’s just a bauble to hang on a wall.  It's who you know, remember?  As in real estate, location is everything.  The design and wood and brick and glass and mortar are the same, but the location is not - same thing with art.  In a trash can, a Picasso is worthless, but on Donald Trump’s wall – well, take a wild guess.  Place your art in the hands of someone who knows he can sell it for lots of money – one of the auction houses maybe - and you are on your way.  That’s how Van Gogh and Modigliani made it big - a lot of other painters too.  Too bad most of them were dead by the time they were selling for millions.  Luck has a lot to do with it after all, so don’t even worry about it – just keep painting  If it's great, it will be discovered sooner or later. 

Wednesday, April 6, 2011

Page 79

Sharks - number 326 - 2008

The Browser - number 327 - 2008

Page 78

Cornfield After The Flood - number 324 - 2008

Cavern - number 325 - 2008

Friday, March 25, 2011

Page 77

Turbulence - number 323 - 2008

Theory of Art - part one

Man is the only creature which deals in Art, though Art is very hard to define – yes, it includes painting, music, dance, literature, and poetry, but a precise definition is hard to come by.  Aesthetics it deals with.  Man concerns himself with the appearance of his surroundings – his home (inside and out), his autos, his clothing, and his body.  He cares about architecture, city planning, fashion, cosmetics, landscaping, interior decorating, jewelry, and even the way his food appears on his plate.  All of those concerns are related to Art.  He creates constantly – the only creature with the ability to do so.  Perhaps Art is an expression which touches and appeals to those sensibilities which lie beyond our intellectual curiosity - a language apart from written and spoken language.  It is not concerned with the alphabet.  We cannot describe any work of music with words.  That is impossible.  We must hear it.  What about a painting?  A painting can be described with words, even if it takes many, many words - it can be done.  Technically, it would be like describing a set of blueprints.  Nevertheless, words cannot take the place of a painting.  One must see it.  A description of a piece of literature can also likewise not take the place of the literature itself.  One must read it.  One must experience the play in the theatre.  So, then, even if we do not know precisely what Art is, how do we determine what is mediocre, good, or great Art?  As with Music, the audience is the final arbiter.  I know when I like something if I want to return to it over and over again.  I am certainly smart enough to know what I like.  What is that question on everyone’s mind?  What about Lady Gaga?  If she is so popular and the audience is really the final arbiter, does that make her a great artist?   No.  Why not?  Because her art is transitory – it will not last.  Great art is here to stay.  Bach’s music is almost 300 years old and it is still being played.  Lady Gaga may last ten or twenty years but certainly not beyond that.  A good entertainer she is and an artist, of course, a cheesy one, but not a great artist.  And people like trailblazers too – they love daring, original, courageous, intrepid, scandalous leaders.  That’s how we explain a phenomenon like Andy Warhol.  Is he here to stay?  Yes, I’m afraid so.  He was a trailblazer.  Not a great artist but a trailblazer.  Finally, what about value - who decides value?  To be continued . . . . This painting is Doorway - number 322 - 2008

Wednesday, March 23, 2011

Page 76

Brick - number 321 - 2008

Lake of Fire - number 320 - 2008

Monday, March 21, 2011

Page 75

The White Bull - number 319 - 2008

Approaching Storm - 318 - 2008

Page 74

Peeping Tom - number 317 - 2008

No Swimming - number 316 - 2008

Portal - number 315 - 2008

Sunday, March 20, 2011

Page 73

Skid Marks - number 313

Dirty Pier - number 314 - 2008

Saturday, March 19, 2011

Page 72

Objects - number 311







Beach - number 312 - 2008

Friday, March 18, 2011

SILENCE

Since this is meant to be a gallery - such as it is - I have seldom (if ever) made any comments on this blog. I figure the paintings speak for themselves. Tonight, I realized I have actually gotten to about the halfway mark in my development as an artist. I am self taught - you can tell. I can actually go back to page one and see my very first painting. This one is entitled OIL - number 310 from 2008.

Wednesday, March 16, 2011

Page 71



From Over Yellow - number 309


2008





Snow Cover - number 307

2008

Wednesday, January 5, 2011

Page 70 - art abstracts




Evening Rain - 308











Medusa - 306